London Has Fallen 2016 Movie Full Download

As befitting a brazen '90s throwback, America and its allies are presented as being on the side of undeniable right, while their terrorist opponents are slandered as savages hailing from “Fuckhead-istan” circumstances that render any potential political commentary coarse and one-note. 

As with 'Olympus,' 'London' is akin to an indelicate, more vicious riff on “Air Force One,” with the Commander-in-Chief relegated to a damsel in distress  Eckhart’s Asher does more fighting this time around, but he’s still ultimately in need of rescuing and America’s finest military man, Banning, envisioned as a noble macho deity. 

Of course, Barkawi seeks payback, and it comes two years later, when the British prime minister suddenly dies and the West’s leaders including American president Benjamin Asher (Aaron Eckhart) are summoned to London for his funeral. Tagging along with Asher is his trusty protector Mike Banning (Gerard Butler), a secret service superhero who’s presently deciding whether to retire so he can spend more time bullet-proofing his baby-to-be’s nursery. Loyal, caring, and funny, Banning is also a ruthless, take-no-prisoners agent in a distinct Schwarzenegger/Stallone mold.

Thus, when Barkawi’s men orchestrate an astounding series of coordinated bombings that kill England, France, Italy, Germany and Japan’s heads of state, as well as put Asher in immediate peril, he shifts from being a

jokey right-hand man to a righteous angel of death.

Taking over for 'Olympus' helmer Antoine Fuqua, director Babak Najafi competently stages his shootouts and hand-to-hand combat, the former chockablock with instances of Banning putting bullets in his opponents’ foreheads, and the latter often concluding with Banning’s knife being repeatedly being plunged into nameless foes’ necks and torsos.

There’s a visceral forcefulness to his staging that does much to enliven what are rather standard-issue conflicts, highlighted by a prolonged single-take (seemingly enhanced by CG trickery) down a city street in which his camera maneuvers in and out of gunfire, twirling around to provide 360-degree views of the carnage. Though sloppier and more monotonous, “London Has Fallen” ups its precursor’s ante in terms of gratuitous violence, not to mention foul-mouthed dialogue, such that Banning after a particularly hectic skirmish greets a glass of water with “I am thirsty as FUCK.”

Butler’s gruff manliness helps sell his character’s increasingly ludicrous feats of one-against-many homicidal heroism. And though the script (by Creighton Rothenberger, Katrin Benedikt, Chad St. John and Christian Gudegast) fails to give him an unforgettably cheesy kiss-off line, his alternately brusque and sarcastic retorts continue to mark him as a serviceable descendant of John McClane.

While Banning and Asher rampage through London’s streets in search of a safe haven, Morgan Freeman (as the Vice President) and a host of other notable faces (Melissa Leo, Robert Forster, J

ackie Earl Haley) sit around a command center debating tactics — and talking to their English counterparts, located in some other room filled with computer monitors. Those scenes may function as narrative connective tissue, but they’re drearily irrelevant, given that Banning is an unstoppable force of counter-terrorism nature wholly capable of handling things on his own.

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